Released as a single from the Only Ones' impressive, eponymous 1978 debut album, 'Another Girl, Another Planet' disappeared without trace and quickly dragged the group's unrealised fortunes with it. Four tracks of drums was plenty in my book, and when it was eight-track we had three tracks of drums. "The control room was large, roughly 17 by 17 feet, and I was quite happy with 16-track. The New Adventures were a spin-off from the long-running British science fiction television series Doctor Who. In this short independent feature, an ordinary-looking guy proves to be an unusually successful womanizer, and his East Village apartment begins to assume aspects of Grand Central Station. The basic format of the song was all there — the chords, verses and chorus — and, as with all of Peter's material, we worked through it until everything fitted. "When you listen to 'Another Planet', you're actually hearing two kits. I don't know where that inspiration came from, because on all of the rehearsal tapes I was playing on the downbeat. "Another Girl, Another Planet" is the most successful song by the English rock band The Only Ones. Otra chica, otro planeta . And then, when we did the transfer to 24-track, that gave us eight tracks to make some additions. "It was an old Kent barn, and we had problems with the soundproofing. Win! What you've just done is absolutely phenomenal.' That's what saved the track, because if we hadn't added the second kit I don't think it could have been released.". Other than that, there were a couple of double-tracked vocal parts on the chorus, and at that point we decided, OK, we've got the master, now let's start mixing. On 'Another Planet', the bass was recorded with a mic and DI — I probably used an AKG D20 — while for the guitars I used Neumann 87s or U67s. "At the start everyone was very optimistic and there was a lot of real heartfelt camaraderie," Mair continues. Although never a commercial success, the Only One's 'Another Girl, Another Planet' has proved to be massively influential; and nearly 30 years after its original release, it's finally getting the recognition it deserves. So off they went, back down to Johnnie, and Johnnie was like, 'You're not bloody taking my machine away! Another girl is loving you now. We were talking about a recording that had been made about six months earlier. "I was quite a homely person, and I wanted a country studio where I could have my dogs and record and produce. If he said, 'Can't I have a mic on there?' With Barry Del Sherman, Isabel Gillies, Bob Gosse, Elina Löwensohn. What's more, that kit also had the backwards reverb at the start. "Those first two Only Ones albums are timeless and organic," Alan Mair says "and that's why I think 'Planet' has caught on with young people. What they apparently didn't consider were the non-technological aspects that are also intrinsic to the creative process. The Only Ones is the debut studio album by English power pop band The Only Ones, released in 1978 by Columbia Records.It was produced by the Only Ones themselves, with the assistance of Robert Ash and was mixed at Basing St., Escape and CBS. Looking out from the control room, Johnnie Burns could just about see Mike Kellie's Ludwig drum kit on the left side and a grand piano was to the right, while directly in front of him were Alan Mair's Fender Precision bass, going through an Ampeg SVT amp; John Perry's Fender Strat, plugged into a Custom amp; and Peter Perrett's Telecaster, going through a Marshall. Two Urei 1176 FET compressors; Roland echo delay; Revox A77, useful for tape effects/delays; various other de-essers/compressors. The album was re-released in Europe in 2009 on Sony Music Entertainment, featuring rare bonus content.The reissue was a CD which comprises 13-tracks. You may login with either your assigned username or your e-mail address. View credits, reviews, tracks and shop for the 1978 Vinyl release of Another Girl, Another Planet on Discogs. ', "Sometimes, I'd use an AKG 451 with an 87 when recording acoustic guitar. When I brought the cassette in and played it, everyone agreed. "I fed the drums back on themselves, routing the toms' signal from the playback head onto the sync head. S CBS 6576; Vinyl 7"). It depended on the band; if it was largely acoustic then I might do th, at to attain a less harsh sound. "Bands with drug connections were bad news, and I'm sure that's how CBS saw it. ", "It's all about atmosphere," Johnnie Burns asserts. Although Burns' philosophy is that every recording's a potential master unless it can be improved upon, at this stage the Only Ones simply thought they'd made a great demo of 'Another Girl, Another Planet' and departed Escape with a cassette copy of this and the two other tracks committed to tape. We haven't captured that magic.' He said, 'Yeah, no problem', and so I said, 'OK then, let's go for it.'. But then, when all the other layers were added, including keyboards, percussion and vocals, you tended not to need it. "I had so many 87s, I could have miked everything. Another girl, another planet . Austrian Audio OC818 Dual Set Plus microphones, 12 Things People Worry About Too Much When Mixing, Inside Track: Bruce Springsteen 'Letter To You', Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs. Again, I could always lose it in the mix. An equally credible second album, Even Serpents Shine, was released in 1979, but thereafter — despite Mair's own sobriety — drugs, despondency and disputes consumed the band during the recording of their third and final studio effort, the Colin Thurston-produced Baby's Got A Gun, and by the end of 1981 it was all over. Session would kick off with a feeling of 'Bloody hell, what a sound! 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